![]() In 2005, Time Out was one of 50 recordings chosen by The Library of Congress to be added to the National Recording Registry. In 2011 "Time Out" was certified double platinum by the RIAA signifying sales of over 2 million units, thus joining a very small circle of jazz albums ever to achieve this milestone. "Take Five", was the first jazz single to sell more than a million copies. Time Out, was the first jazz album to sell more than a million copies. Single Chart Position- "Take Five" Adult Contemporary - 5 Pop Singles - 25 Sales and Certifications ![]() Click here or on the image.Aug(1,7) Released: DecemRecorded at: Columbia 30th Street Studio, New York Length: 38:21 Label: Columbia CL 1397 (Mono) CS 8192 (Stereo) Producer: Teo Macero Engineer: Fred Plaut Cover Artwork : Neil Fujita Charts Position Many of the band's songs are driven by a deep and literate Americana ("I'm Uncle Sam/That's who I am/Been hidin' out/In a rock and roll band" and "Majordomo Billy Bojangles/Sit down and have a drink with me/What's this about Alabama/Keeps comin' back to me?").ĭavid Dodd's exhaustive study tells the story, song by song. The Grateful Dead don't get enough credit for the profound nature of its lyrics. What else is there to say? Here is the story behind every song written by The Beatles. The author, Terry Teachout, also wrote "Pops," the acclaimed bio of Louis Armstrong. The combination of creativity and drama makes for great reading.ĭuke Ellington brought class, sophistication and style to jazz which, until that point, was proudly unpolished and raucous. Musicians as a group are brilliant, but often troubled. The stories of the great bands and musicians are fascinating. Doing so supports TDMB because we get a small percentage on anything you buy. If you shop for music or anything else at Amazon, please consider going their directly from one of the many Amazon links at this site. Brubeck is said to have glanced at the magazine and looked up at Ellington - who Philip said was one of his heroes - and said, “It should have been you.”Īs great as Brubeck was, it’s impossible to argue he was more important than Duke Ellington. Ellington knocked on Brubeck’s door, handed him the magazine and congratulated him. Brubeck happened to be staying at the same hotel as Duke Ellington when the issue was published. In 1954, Brubeck became the second jazz musician to be featured on the cover of Time magazine (Louis Armstrong was featured five years earlier). Philip verified a touching story that illustrates how life worked back then. Jazz, of course, was dominated by African-Americans. The final time element is when Brubeck lived and worked. Philip Clark on Dave Brubeck, Part 2 25:51.Philip Clark on Dave Brubeck, Part 1 25:48.This of course stands in opposition to the stereotype of musicians as highly creative and dramatic characters. The vision is more of a guy riding a commuter train to his job as an accountant or actuary than somebody pushing the boundaries of jazz. The Brubeck Philip describes is a family man, a suburbanite with a nice house in an affluent town in Connecticut. For instance, the Brubeck’s marriage lasted 70 years (and his wife, Iola, was an important figure in his career). The second way in which time plays a role is in Brubeck’s stability. It’s that Brubeck was able to integrate these advanced ideas and approaches while keeping the final pieces accessible and tuneful enough that he became a star. The most important point is not technical, however. It’s complex stuff not easily understood by somebody who is not a musician or, for that matter, not a mathematician. Philip offers an explanation in the first part of the video and in the book. Perhaps most significantly, Brubeck experimented with time signatures and rhythms. Brubeck with “Take Five” composer Paul Desmond This came through clearly in my conversation with Philip Clark, author of “Dave Brubeck: A Life in Time.” The seed obviously was planted in the book’s title and is prominence in its introduction (which can be read in the “Look Inside” feature). Much of the discussion surrounding Dave Brubeck involves the idea of time, though in different ways.
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